{"id":416,"date":"2025-12-10T12:09:39","date_gmt":"2025-12-10T15:09:39","guid":{"rendered":"https:\/\/noestango.com.ar\/?page_id=416"},"modified":"2026-03-20T16:00:50","modified_gmt":"2026-03-20T19:00:50","slug":"sobre-nosotros","status":"publish","type":"page","link":"https:\/\/noestango.com.ar\/en\/sobre-nosotros\/","title":{"rendered":"Sobre Nosotros"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

ABOUT US<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ollantay Rojas and Milagros Rolandelli carried out a long research process, which led to the creation of the work NOESTANGO <\/span>NOESTANGO<\/span><\/i> (2022). They also carried out the works <\/span>Aleatorio and Repetir (2018),<\/span><\/i> (2018), <\/span>El tango es...<\/span><\/i> (2024, for the UNSAM Contemporary Dance Company) and conducted choreographic workshops at institutions such as the Borges Cultural Center and the Contemporary Dance Workshop of the San Mart\u00edn Theater. They are currently in the process of creating their next work, to premiere in 2026.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

OLLANTAY ROJAS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Director | Choreographer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Dancer, choreographer, and director. He was a fellow of the Impulstanz Festival in Vienna and the Williams Foundation. He participated in several editions of the Buenos Aires Tango Festival, the Buenos Aires Contemporary Dance Festival, and FIBA. He taught seminars at the Higher Institute of Art of the Teatro Col\u00f3n. He is a founding member of Plataforma de Tango Esc\u00e9nico Actual (Platform for Contemporary Stage Tango). He was the choreographic coordinator of the National Space for Argentine Tango and an advisor to the General Directorate of Cultural and Creative Development of the Ministry of Culture of the City of Buenos Aires.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

MILAGROS ROLANDELLI<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Choreographer | Performer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

She holds a degree in Choreographic Composition with a specialization in Dance Theater from the National University of the Arts. She is also a dancer, teacher, and choreographer of tango and contemporary dance. She has participated in numerous tango shows and festivals both in Argentina and abroad. As a choreographic assistant, she worked on the production <\/span>El Carbonero<\/span><\/i> by Leonardo Cuello for the Contemporary Ballet of the San Mart\u00edn Theatre, <\/span>Itinerario Piazzolla<\/span><\/i> and <\/span>Carmen<\/span><\/i>n<\/em> by Alejandro Cervera for the Teatro Col\u00f3n's resident ballet company. She was a tutor for the Teatro Col\u00f3n's 2022 Choreographic Workshops. She received grants from Mecenago Cultural, Fondo Nacional de las Artes, and Impulsar Mica. She received the EVC CIN 2024 grant.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

ELIANA STAIFF<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Management | Distribution<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

He manages and distributes various dance proposals on a freelance basis, including the shows NOESTANGO and YO BAILO.\u00a0
<\/span>Simultaneously, she works at the Buenos Aires Theatre Complex as production coordinator for the Contemporary Ballet of the San Mart\u00edn Theatre and other national and international dance shows and projects.\u00a0
<\/span>In 2018 she was selected by the French Ministry of Culture to participate in the S\u00e9jours Culture program, specializing in Public Policies for Dance.\u00a0
<\/span>She is a member of APPEAE (Professional Association of Executive Producers of the Performing Arts) and a Global Fellow of ISPA 2024 and 2025 (International Society for the Performing Arts, USA).<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

AGNESE LOZUPONE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Lighting Design<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Lighting designer, set designer, and architect. Graduate of the Metropolitan School of <\/span>Dramatic Arts and the Faculty of Architecture, Design and Urbanism of the U.B.A.
<\/span>He works on spatial and light art projects with Emilio Garc\u00eda Wehbi, <\/span>Maricel \u00c1lvarez, Gabo Ferro, Gustavo Tarr\u00edo, Lisandro Fiks, Fernando Mart\u00edn Pe\u00f1a, <\/span>Eugenia Perez Tomas and Camila Fabbri, among others, in works such as \u201cThyestes and Atreus\u201d, <\/span>\u201cOrlando\u201d, \u201c65 sue\u00f1os sobre Kafka\u201d, \u201cEl limonero real\u201d, \u201cTodo Piola\u201d, \u201cRecital <\/span>Olympico!\u201d and \u201cUn enemigo del Pueblo\u201d, in the presentations of the albums \u201cEl <\/span>Lapsus del Jinete Ciego\u201d and \u201cSu reflejo es el lobo del hombre\u201d and in the design of <\/span>Installation of the \u201c29\/60\u201d exhibit at the 29th Mar del Plata Film Festival.
<\/span>He works as a teacher of lighting and stage architecture at E.M.A.D. <\/span>since 2011, and at the U.B.A., FADU, between 2001 and 2013.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

SOBRE NOSOTROS Ollantay Rojas y Milagros Rolandelli, llevaron adelante un largo proceso de investigaci\u00f3n, con el que dieron paso a la creaci\u00f3n de la obra NOESTANGO (2022). Adem\u00e1s realizaron las obras Aleatorio y Repetir (2018), El tango es\u2026 (2024, para la Compa\u00f1\u00eda de Danza Contempor\u00e1nea de la UNSAM) y realizaron laboratorios coreogr\u00e1ficos en instituciones como […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-416","page","type-page","status-publish","hentry"],"_hostinger_reach_plugin_has_subscription_block":false,"_hostinger_reach_plugin_is_elementor":false,"_links":{"self":[{"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/pages\/416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":37,"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/pages\/416\/revisions"}],"predecessor-version":[{"id":773,"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/pages\/416\/revisions\/773"}],"wp:attachment":[{"href":"https:\/\/noestango.com.ar\/en\/wp-json\/wp\/v2\/media?parent=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}